![]() ![]() In 1986, Young’s experience with his children's cerebral palsy and epilepsy led him and Pegi to help found the Bridge School in Hillsborough, California, whose mission is to provide education for children with severe disabilities. ![]() In 1995, when the Lionel company was facing bankruptcy, Young put together an investment group to purchase the train company so he could continue his research and development.) (The controls later formed the basis for a company called Liontech, formed in 1992. An avid model-train collector, Young created a 700-foot model train track within a barn on his property as a way to interact with his son Ben and developed special controllers for the train set, allowing him to control switching and power using a paddle system. ![]() However, during this period, Young’s priorities had shifted to the care of his children. He followed with an abrupt about-face in 1981, releasing the hard-edged Re-ac-tor, before mixing it up even more with Trans, incorporating synthesizers and vocoders into his songs and further confusing fans and critics and underwhelming his new label, Geffen. His first album of the new decade, Hawks & Doves, was more or less a collection of acoustic and country-flavored songs recorded several years earlier, and his sometimes politically right-leaning sentiments alienated some of his audience. Young began the 1980s by indulging his experimental urges, not always to the best results. Among its highlights is one of Neil Young’s best-known tracks, the anthem “Hey Hey, My My (Into the Black).” A double LP recording from the tour, Live Rust, was released later that year, reaching No. Released in 1979, Rust Never Sleeps echoed the structure of the concerts, alternating between quiet, acoustic tracks and aggressive electric numbers. ![]() Things got even better the next year, when Comes a Time broke into the Top 10, he married Pegi Morton (who was a waitress at a restaurant near his ranch and would inspire many of Young’s songs in the future, most notably, “Unknown Legend”) and embarked on a tour with Crazy Horse called “Rust Never Sleeps,” during which they showcased songs from an upcoming album. The band’s subsequent tour and album release, 1970’s Déjà Vu, catapulted them to fame-so much so that they were at times referred to as the “American Beatles.” However, Young’s relationship with his bandmates quickly became contentious, and he left the group to focus more exclusively on his solo work. Young joined the trio, which was renamed Crosby, Stills, Nash & Young and they began to perform and record, playing the legendary Woodstock Festival in August 1969. Meanwhile, Young had reconnected with Stills, who had formed a new group with David Crosby of the Byrds and Graham Nash of the Hollies. With their raw sound serving as the counterpoint to Young’s distinctively melancholy and untrained voice on such standout tracks as “Cinnamon Girl” and “Down by the River,” the album climbed up the charts to No. But Young followed up just a few months later with Everybody Knows This Is Nowhere, on which drummer Ralph Molina, bass player Billy Talbot and guitarist Dan Whitten, collectively known as Crazy Horse, backed him up. Young signed with Reprise Records in 1969 and released his self-titled debut to mixed reviews, though it hinted at the originality and willingness to experiment that would define his body of work. ![]()
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